早月出佛罗里达又名早佛罗里达风景Early Moonrise Florida aka Early Morning Florida_1908_乔治·英尼斯油画作品欣赏。
乔治·因尼斯试图使自然诗与他实际看到的相协调。他坚信艺术不能模仿客观的外表。他的早期风景画受到哈德逊河学派和17世纪克劳德·洛伦的经典风景画的启发。他后期的风景是对自然的模糊的召唤，暗示着他的精神方法。
1891年至1894年间，英尼斯和他的妻子伊丽莎白在佛罗里达州的塔彭泉过冬。在他去世前不久，他创作了许多重要的作品，其中包括佛罗里达州的早期月出。博物馆的画是他第三次访问该州时创作的。它描述了季节的推移和时间的运动通过充满水分的雾和蒸汽。傍晚的天空布满了粉红色、蓝色和淡紫色的云，它们低簇在地平线上，反射出落日最后柔和的色调。一轮明亮的月亮从一片光秃秃的天空中照耀着，周围是又高又细的树木。英尼斯的作品大体上是他对伊曼纽尔·斯韦登堡宗教教义的最充分的表达，他相信地球的王国是通往天堂的管道。在他晚期的绘画中，大自然充满了灵性。
George Inness attempted to reconcile the poetry of nature with what he actually saw. He strongly believed that art must not imitate objective appearances. His early landscapes were inspired by the Hudson River School and the seventeenth-century classic landscapes of Claude Lorrain. And his later landscapes are hazy evocations of nature, suggestive of his spiritual approach.
Between 1891 and 1894, Inness and his wife Elizabeth spent winters in Tarpon Springs, Florida. Shortly before his death, he produced a number of important works, among them Early Moonrise, Florida. The Museum's painting was created on his third visit to the state. It depicts the passage of the season and the movement of time through moisture-laden mists and vapors. The evening sky is filled with clouds of pink, blue, and mauve, which cluster low on the horizon and reflect the last pastel hues of the setting sun. A luminous moon shines from a bare patch of sky framed by tall, thin trees. Inness's works in general are the fullest expression of his devotion to the religious teachings of Emanuel Swedenborg, who believed that the earthly realm is a conduit for the heavenly one. In his late paintings, nature is suffused with spirituality.
