埃特尔塔风景Etretat_1875_乔治·英尼斯油画作品欣赏。
前景是一片郁郁葱葱的绿色牧场，两个人沿着小路走着。两边都是牛羊，有的坐着，有的吃草。远处是沿着海岸陡峭的悬崖，下面是波涛汹涌的大海，小船星罗棋布。在头顶上可以看到乌云。
最终，因尼斯的艺术证明了伊曼纽尔·斯韦登堡神学的影响。对内在特别感兴趣的是这样一种观念，即自然界中的每件事物在某种意义上都与某种精神上的事物有对应关系，因此从上帝那里得到了“流入”，以便继续存在。
对英尼斯思想的另一个影响是威廉·詹姆斯，他也是瑞典波吉亚主义的追随者。特别是，英尼斯的灵感来自于詹姆斯的“意识流”思想，以及他关于神秘体验如何塑造一个人对自然的看法的思想。
1885年，特别是在他生命的最后十年，英尼斯在新泽西州的蒙特克莱尔定居下来后，这一神秘的部分通过对形状的更抽象处理、软化的边缘和饱和的颜色（1886年10月，一个深邃而戏剧性的天地并置（初秋，蒙特克莱尔，1888年）在他的艺术中表现出来，强调在亲密的风景中（1891年森林中的日落），对绘画的处理越来越私人化、自然化，而且经常是暴力的。前景是一片郁郁葱葱的绿色牧场，两个人沿着一条小路行走。两边都是牛羊，有的坐着，有的吃草。远处是沿着海岸陡峭的悬崖，下面是波涛汹涌的大海，小船星罗棋布。在头顶上可以看到乌云。
1885年，特别是在他生命的最后十年，英尼斯在新泽西州的蒙特克莱尔定居下来后，这一神秘的部分通过对形状的更抽象处理、软化的边缘和饱和的颜色（1886年10月，一个深邃而戏剧性的天地并置（初秋，蒙特克莱尔，1888年）在他的艺术中表现出来，强调在亲密的风景中（1891年森林中的日落），对绘画的处理越来越私人化、自然化，而且经常是暴力的。
In the foreground there is a lush green pasture with two figures walking along a path. On either side of them are cows and sheep, some seated and some grazing. In the distance there are the steep cliffs along the coast, with a rough sea below dotted with boats. Dark storm clouds are visible overhead.
Eventually Inness' art evidenced the influence of the theology of Emanuel Swedenborg. Of particular interest to Inness was the notion that everything in nature had a in a sense a correspondence relationship with something spiritual and so received an "influx" from God in order to continually exist.
Another influence upon Inness' thinking was William James, also an adherent to Swedenborgianism. In particular, Inness was inspired by James' idea of consciousness as a "stream of thought", as well as his ideas concerning how mystical experience shapes one's perspective toward nature.
After Inness settled in Montclair, New Jersey in 1885, and particularly in the last decade of his life, this mystical component manifested in his art through a more abstracted handling of shapes, softened edges, and saturated color (October, 1886, a profound and dramatic juxtaposition of sky and earth (Early Autumn, Montclair, 1888), an emphasis on the intimate landscape view (Sunset in the Woods, 1891), and an increasingly personal, spontaneous, and often violent handling of paint.In the foreground there is a lush green pasture with two figures walking along a path. On either side of them are cows and sheep, some seated and some grazing. In the distance there are the steep cliffs along the coast, with a rough sea below dotted with boats. Dark storm clouds are visible overhead.
After Inness settled in Montclair, New Jersey in 1885, and particularly in the last decade of his life, this mystical component manifested in his art through a more abstracted handling of shapes, softened edges, and saturated color (October, 1886, a profound and dramatic juxtaposition of sky and earth (Early Autumn, Montclair, 1888), an emphasis on the intimate landscape view (Sunset in the Woods, 1891), and an increasingly personal, spontaneous, and often violent handling of paint.
